In my last Roa post, I spoke of how hard I had tried to find more Roa‘s around Berlin and was coming up empty every time. But then a buddy over at andBerlin.com let me know that the Roa rats on Schoenhauser Allee were still there, even though I had struggled in vain for an hour to find them previously. I tried a second time, and bam. Instant Roa-gratification.
Aw yeah, that’s the stuff.
Look at the detail from each spraycan stroke. I can’t even. I am out of evens.
Check out my Roa category for more of his work that I’ve photographed around the world!
Ah, my true Belgian love, Roa. I had read on the blogs that he had made an appearance in Berlin a few years ago, so I set out to find his works. This is the only one that remains… a huge mural near Kottbusser Tor. For those of you who don’t know Roa (and really, if you don’t know Roa, please take a few mins to check out my Roa category for a huge selection of his works that I’ve photographed around the world), his work explores the circle of life amongst animals. He likes to portray animals either in a state of feeding, a state of death, or a state of decay, but it’s never gross or obscene, it’s always a tribute to the beautiful circle of life. In addition, unlike some other street artists who rely on stencils or posters or tricks (nothing wrong with those by the way, I adore stencils and posters!), all of Roa’s pieces are done with just a spray can and a helluva lot of talent.
As you can see the animals are dead, and have been hung up to dry, much like they are in shop windows in Chinatown. So it might be safe to assume Roa is showing how these animals didn’t die of natural causes, they were killed for their meat. This is less circle-of-life, and more the gritty, cruel world of the meat industry.
Anyway, it’s a beautiful piece, and considering all of Roa’s other works in Berlin are gone (or at least, I have struggled in vain to find the rest and could not), this is definitely something that should be appreciated whilst it’s still there.