Check out my latest schlepp’ for VICE, this time about all the amazingly badass beautiful broads in TIFF films this year. Writing this piece was so fun because I got to attend the pre-TIFF press screenings for two weeks. I see a lot of bad movies so you don’t have to (and some good ones). There was only one film I saw that I didn’t include in this piece, simply because there were no women in it — Son of Saul — but holy fuck, I highly recommend that film as well.
I used to cover TIFF every year as a critic, but I haven’t done it since 2011 when I was still writing for Exclaim! It was so difficult seeing like 5 films a day, and having to file your reviews by like 7am the next morning, and then doing it all over again! I swore after that year I’d never cover TIFF again, but I guess old habits die hard.
Anyway, enjoy, comment, and share! Happy TIFF’ing.
As always, don’t forget to check out the official Christine Estima dot com where you can find all of my published works and more.
I once blogged about my writing practice and process, and I feel this is a nice dovetail: my writing desk and space. We all need to carve out our own little nooks in this world, and this tiny corner is mine.
This where I do all my writing: all my short stories, all my blogging, and all my freelance articles are done here, including a little doodling and reading now and then. I decorated it like this because I think it reflects me and my personality best. Some people prefer really modern, sleek, office-y, stainless-steel-type designs, and others prefer a kind of non-descript, antiseptic look. But I wanted my space to be peppered with all of the things that inspired me, visually and spatially, and all the things that really mean something to me.
For example, these are my Lebanese grandparents making-out on their front porch in Montreal circa 1948. I typed out that Bukowski quote on my typewriter. All the picture frames were bought from London flea markets, but a few I found discarded on the sidewalk. Who throws out gorgeous picture frames?!
That photograph in the foreground of the two 1920s women pushing the pram: I have no idea who they are. I found them discarded on the flea market grounds in Brussels right before the sky opened up and an incredible tempest washed everything away. I feel like I saved them.
Those are Belgian telegrams, and also some French postcards ad German letters, which I bought from their respective flea markets. I typed out the quote at the bottom, and I found the image of the typewritten quote at the top online and then printed it out on photographic paper at a pharmacy in London.
I got the antique iron keys from a friend who bought them for me when I was living in Copenhagen. I typed out the Dumas quote, and it sits on a small blue photo album from the 1940s that I bought in Paris. The vase & saucer I got at a London flea market, and the typewriter ribbon tin I bought at the Brooklyn flea.
The pill bottles in the foreground I got at a flea here in Toronto. The red-cover books in the background are all travel guidebooks from the 1920s, 30s, & 40s. It’s so interesting to read about “where to find a public bathhouse in London,” or about how many Francs you can get for your Crowns, Half-Crowns, Shillings, and Sovereigns. There’s even a section on why French customs strictly prohibits British matches from entering the country, but you can bring your own cigarettes. Also, air travel was so new, that they don’t really mention it. They only mention taking the ferry from Dover to Calais! The guidebooks have fold-out maps and even photographs. Looking at Amsterdam then and comparing it to now is such a mind-fuck.
That’s a Bukowski quote.
I bought that cigar box from a flea market in Düsseldorf. I put all of the small monochrome photographs that I bought from flea markets around Europe in there. A note about the photographs: I don’t know the people. I am assuming they’ve all passed, seeing as how their personal family photo albums were for sale on flea markets. I buy them because they look so happy. I like their faces. Also, sometimes going through private photos reveals some interesting secrets, as I wrote in an essay for VICE recently … And if they’re not in the cigar box….
… they’re hanging on my wall. From left to right, I bought him in Brussels, him in Copenhagen, and her in Paris.
That babe second-from-right is my Mum when she was 18. The rest, left to right, Brussels, Brussels, Berlin, and the child on the right is from Amsterdam.
These ladies are so old, they’re beginning to fade, but I love them all the more because they’re so bad-ass. On the left, I bought them in Paris and on the back it’s dated June 18, 1929. On the right, I bough her in Brussels, it’s dated August 18, 1922. She’s so fucking cool, I can’t even. I’m all out of evens.
Bought both from Brussels. Street scenes and street photography from the early 20th century are so amazing to me. I love the composition of the left photo! Right photo on the back is dated May 1942 and it says they just returned from shopping.
There’s my gorgeous bee-yooot. Read this for the story behind the provenance of this baby.
Some of the books that really moved me that are resting on my desk are All That I Am by Anna Funder, The Reader by Bernhard Schlink, The Cellist of Sarajevo by Steven Galloway, The Dark Room by Rachel Seiffert, and Captain Corelli’s Mandolin by Louis de Bernières.
I feel like I become a different person when I sit down at this desk. Outside, I’m gregarious and silly and hungry and moving and yelling and dancing and what not… but here, I am something else.
I have a lot more upcoming publications yet-to-be-announced, but now you know where I was when I wrote them.
Remember to update your links and visit the new home of ChristineEstima.com!
Back in January, I performed at The Moth storyslam in Brooklyn, New York City in front of 400 people. The theme of the night was ‘Cravings’ so I spoke for 5 minutes about being heartbroken, homeless, and hustlin’ on the streets of Europe. It’s basically the conclusion to this spoken word piece I performed at Spark London in the UK back in 2013. I got a standing-O from this crowd, and people were approaching me afterward to give me high-fives and fist-bumps. The crowd was so kind. As I’ve said before, I’ve developed a taste for Spoken Word and live-storytelling, so expect more from me on this front.
My life has been pretty strange over the past two years, but I’ll tell you one thing, it’s never fucking boring.
Live a life less ordinary, munchkins. There are no rules to this thing. Go out and make it yours.
Fanks for watching.
A couple nights ago, I took to the stage at Raconteurs, a live storytelling/spoken word event here in Toronto. Many of you will remember when I performed at Spark London in the UK two or three times. Since then, I developed a taste for live storytelling, probably because it feeds into my need to be a ham, and talk about myself. Womp womp.
Last month, I performed at The Moth in New York City. That experience was probably the most exhilaration storytelling event of my life. There was easily 400 people in the crowd, and the massive standing-O and cheerful roar of applause after I was done was so galvanizing and fulfilling. They’re sending me the video footage of that night, and soon Raconteurs will upload the footage of my story to their YouTube. so stay tuned, munchkins. I hope to do Spark London, The Moth, and Raconteurs again. I listen to all of their podcasts, and am glad to be featured on there too!
Live storytelling feels like an obvious step in my evolution. I double-majored Theatre and Creative Writing for my undergraduate degree. Live storytelling combines them both, you get the performative aspects and the audience pay-off, but also you get to employ the nuances of language and creative non-fiction. I can pretend I’m one of those actor-writer types like Ethan Hawke (who has also performed at The Moth, fyi).
Expect to see more of me on the storytelling stage, my dudes. Dudebros. Brojangles.
Okay I’ll stop now.
Photography by 1nspireinc
I first photographed Icy and Sot in Amsterdam, both on the street at at one of their gallery shows. They’ve become street art darlings since then, with major turns at Norway’s NuArt fest in Stavanger, and also, it seems, New York City. I literally couldn’t walk through a single borough without running into their work. Most of these were in conjunction with the Bushwick Collective, but also, they were part of the Welling Court Project. Even still, some of it just seemed to be good, ol’ fashioned illegal graff. Good on ’em.
This delightful mural in South Williamsburg just went on and on….
… and on….
This massive, colourful explosion in Bushwick seems to depict suicide bombers in Iraq, but it could also be the way protesters are gunned down in Gaza. Or perhaps it’s Tel Aviv. Syria? Tahrir Square? I’m not really sure, but then again, the goal isn’t to precisely identify what the artist is trying to say. The point is to make it mean something to you.
I love how his arm reaches up and hangs off of the barbed wire on the roof.
Apologies for not getting a close-up of his hand. I should point out that I took these photographs the first week of January when it was about -20 degrees and removing my hands from my mitts to take photos was a race against frost bite. I could only take maybe two or three pictures before my hands would sting and splinter and redden and become numb. Graff hunting in winter is so much different than in summer. Le sigh.
Their famous portrait here in blue was a massive mural up in Queens, as part of the Welling Court project.
I love this cop and his shadow mural off of Meserole in Bushwick. It must have been erected during the Black Lives Matter protests, as it seems to be a direct comment on Police Brutality, and appearance vs reality when it comes to New York cops.
You know what’s funny of this walking boy of theirs? If you go on Instagram, everyone thinks this is Banksy.
No, beebees, just, no.
I will do anything you tellllll meeeee toooooooooo.
I had never photographed or heard of Vexta until this trip to NYC, but her work was everywhere and it was gorgeous, dark, haunting, emotive, and meaningful. I really liked her use of colour, and subject matter. And the pieces are just so provocative, you never forget them once you’ve seen them!
I found most of her work in Bushwick as part of the Bushwick Collective, but there were some pieces found in the Lower East Side of Manhattan, so just keep your eyes peeled when you’re walking around!
Post No Selfie.
Post No Bills, Give No Fucks.
Know Thy Selfie.
I Reeeally Dislike The Word ‘Artist.’
Fuck Your Phone – Keep Your Head Up!
I’m More Of An Internet Artist.
no more tears.
The Power Of Kanye Compels You.
All I See Are Naked Emperors. –Gilf
Never Let Go.
Loveless (I am not).
Black Is Beautiful – Jef Aerosol.
We’re all alone
Bound by fear
Seeking the mirage of love.
I photographed this three years ago. It seems the #FairyTalesfortheFatherless wheatpaste crew is still at it.
Sound familiar? Look to the right of this blog.
Aren’t we all.
As I’ve mentioned previously, last year Space Invader came out with an app called Flash Invaders. It turns graff-hunting into a real-life video game. You take a photograph of his work you’ve found, and the app will award you points. Get enough points, you’re in the high scores! It’s like living inside a 1980s arcade game! Anyway, I’m in the High Scores (naturally! I peaked at #25, but last time I checked, I had dropped to #50 because there are no ‘Vaders in Toronto!) and you get an extra 100-point-bonus for every new city you flash, so I was excited to go hunting in NYC considering he has put up hundreds in the city over the years (previous examples here and here). The last time he visited NYC was in 2013, but since then, people have ruthlessly cut his work off of the buildings and very few remain! Here are the ones I managed to find. I understand that there are some I have missed, so if you’ve found some recently that I’ve missed, let me know in the comments below!
‘Vader has been collaborating A LOT with Cost and Enx as of late (check out my ‘Vader post from Paris, you will all of their collabs there), and this massive piece worth 100 points on the app was in Bushwick in the heart of the Bushwick Collective area.
Space Invader does Snow White! He loves doing this big characters. From my Paris piece, you’ll remember he’s done Picasso, Mona Lisa, Robin Hood, the Pink Panther, Star Wars, and many others. This was in the Lower East Side and I had to stand in the middle of busy Manhattan traffic just to get this shot. Totally worth it.
Also, it was freezing outside, so taking my fingers out of my mitts to wield my camera was really painful and I lost feeling in my hands many times, so I hope you appreciate my dedication here!
Super Mario Brothers! If you remember the video game, Mario would get sucked into those tube-like things, so it’s funny that he placed this mosaic right underneath a tube, hahah…. not so funny that it’s next to a baggie of dog poop. I found this one just north of the Meatpacking district on the West side.
An actual ‘Vader, probably dating back a few years. This was on Bowery, and I kicked myself for missing this one so many times, as I walked up and down Bowery a gazillion times before finding it.
A 3-D ‘Vader! I had intel on this one, but then my intel got damaged and I had to throw it out (specifically, the cat I was looking after pooped on it) and I had written this one off. But then one night I was walking along the High Line (which you really should do in Winter as there’s no one on it in Winter so you have it all to yourself!) and I found it while looking at the view of the city! Totally stumbled upon it by accident, and worth 50 points too!
This one pissed me off because I had the location and intersection for this one and searched and searched for it to no avail. Until one day I decided to go a bit south of the indicated location and found it! My intel had been wrong!!! I hate it when people aren’t specific!! They had told me it was at 17th and 10th. WELL IT WASN’T.
Another one I found by accident. This was in South Williamsburg. It’s half-destroyed, but I figured it might still be flashable, as many of the ‘Vaders I found in Paris were half-destroyed but still flashable. I was right!
Oh and this sweet lil’ thang was in the Museum of Moving Images in Queens!
Check out my Space Invader category for all of his pieces that I’ve photographed from around the world!
If you’re a Torontonian, it’s almost certain you have, at some point, walked past a wall and seen the lady-faces of Anser spraypainted up on a city wall. I used to think he might live in the Dundas and Ossington area because I had found 10 pieces within one block. But I had never found his work outside of Hogtown. So this past month in NYC, I was delighted to find that he had dusted off his passport and taken the time to tag Williamsburg and Bushwick in Brooklyn!
This was in Bushwick
This kind of East Williamsburg, bordering into Bushwick.
Check out my Anser category for more of his work that I’ve photographed.
I’ve blogged many times about one of my fav street artists, Swoon, who is also one of the more successful women in the boys-only-club. DON’T PEGGY OLSEN HER, MOTHERFUCKERS.
Anyway, I found this gorgeous wheatpaste of her in Bushwick, which I think dates back to just last summer/autumn when she had an exhibit at the Brooklyn Museum. It’s so gorgeous, that once I took this photograph, I had the photo blown up on canvas, and now it’s hanging in my room.
Also, it was featured in the infamous SNL skit, “Bushwick, Brooklyn” from a couple of weeks ago.
Tangent: that skit is so spot on, and my life in Bushwick over the past five years has been exactly like this, a blend of raw and wild with gentrification and artist’s ghettos. After the skit aired, everyone in Bushwick was talking about it. I went to a cafe on Flushing and Bogart in Bushwick, and all the punters sitting at the counter were regaling the waitress with the facets of the skit. Also, the intersection where they’re standing in Bushwick is just up the street from the main section of the Bushwick Collective, where I spend most of my days. So I know it well. It’s not actually as busy as the skit portrays it as, but many parts of Bushwick look like that (think the intersection of Bushwick Avenue and Meserole).
Here’s another Swoon piece I found, which I like to call, “Swoon Behind Bars.”
Check out my Swoon category for more of her work that I’ve photographed around the world.